School of Fine Art and Innovation School show over five floors of the newly refurbished Stow Building
Design School exhibition is spread over six floors of the Reid Building
Mackintosh School of Architecture showcase staged in the Bourdon
MFA show is in the Glue Factory and Summer School in Fleming House
Following Degree Show in Glasgow work will be in shown in Birmingham, Cambridge and London
The Glasgow School of Art Degree Show has returned to Garnethill this year with the public being given the first opportunity to see the newly refurbished Stow Building where over 100 Fine Art students on the Fine Art Photography, Painting & Printmaking and Sculpture and Environmental Art pathways are showing their work.
Master of Design student, Eli Lavett, with his work The Things We Saw
In the Reid Building the Design School exhibition sees projects by students of Communication Design, including Eli Lavett, whose two years at the GSA and Degree Show project have helped him deal with the trauma of experiencing 9/11 as a child; Fashion and Textiles including work by Asia Przytarska, who has just been awarded a prestigious internship with Loewe in Paris, and Product Design Engineering featuring among others a design by Nina Birchard to help with new-born resuscitation, a new design for public drinking fountains by Anna Robb and Duncan Pattullo’s Fibre Optic fabrics for Cycle Clothing. Also on show in the Reid Building is work by students of Interior Design, Interaction Design and Silversmithing & Jewellery.
Joining the School of Fine Art in the Stow Building for Degree Show 2019 are students graduating from Innovation School whose work includes designs for Precision Medicine in cancer care co-devised with experts from Glasgow University , a collaborative project on the future of banking undertaken in partnership with the RBS and self-initiated projects in areas ranging from medicine to sustainable tourism.
Elsewhere on the campus the Mackintosh School of Architecture will showcase work by students across all five years of study in the Bourdon Building. Among the work on show by Stage 2 students are propositions for the future of New Lanark. Stage 3 students have created ideas for a historic boat recovery centre on the river Clyde. Stage 4 students have looked at housing in Tradeston and created designs for an urban building which would offer a public programme on the Broomielaw. For their detailed Design Theses Stage 5 students have this year focussed on Antwerp.
“Degree Show is always one of the high points of the academic year,”says Professor Irene McAra-McWilliam, Director of The Glasgow School of Art. “It is a chance to celebrate and share with the world the creative output of over 500 students from across the Schools of Architecture, Design, Fine Art and Innovation and demonstrates the important role that creativity plays in addressing some of the complex questions facing society today.”
“Our graduating students have been part of Glasgow’s creative community over the past few years,”she adds. “Degree Show marks both the culmination of their time with us and the next stage in their creative journey.
“While many choose to stay in Glasgow to launch their careers, extending the city’s global creative reach and reputation, many others move across the world as part of the GSA’s global creative network and reinforce our position as one of the world’s leading art, design and architecture institutions.”
For further details of the work on show see Notes for Editors.
Running alongside Degree Show is Summer Exhibition, a unique showcase of portfolios by students completing the GSA’s widely-admired Portfolio Preparation classes. Following the programme students have been offered places to study on creative programmes across the UK (including at the GSA) and Europe.
The MFA exhibition is once again being staged in the Glue Factory. This is a chance to see work by the latest cohort of students graduating from the programme that has produced five Turner Prize winners in recent years including Charlotte Prodger, who is currently representing Scotland at the Venice Biennale. The MFA is once again generously supported by citizenM.
“citizenM is delighted to be supporting the MFA Degree Show at The Glasgow School of Art for the seventh year,” says Robin Chadha, Chief Marketing Officer, citizenM
“We have a strong affiliation with contemporary art, with originally and specially commissioned pieces throughout all the hotels. The GSA is recognised worldwide as a leading creative school for the arts, and as firm believers in helping new talent, we are particularly pleased to support the GSA MFA students graduating this year.”
The Glasgow School of Art Degree Show 2019 runs on the Garnethill Campus from 1 – 9 June 2019.MFA exhibition is on show in the Glue Factory. Entry to all exhibitions is free
For further information, interviews and images contact:
Lesley Booth,
07799414447
press@gsa.ac.uk
Notes for Editors
School of Design
Images:
Bournemouth Pier by Hal Haines; Keri Hannah’s Stacey Sunbathing
Designer Eli Lavettwas only a young boy on 11 September 2001 and the events of that day were to have a profound effect on him. As a New Yorker from a Muslim family he witnessed the best and the worst of humanity in the aftermath of the attack. On the one hand there was solidarity and support after the tragedy, but on the other unrestrained anger from people desperate to find a scapegoat for an event that was so grotesque.
“It didn’t matter that as we ran through the streets of Tribeca that the debris swallowed our neighborhood and forced us out; it didn’t matter that my mother sat rocking back and forth, wondering if we were going to die as we waited for the second tower to give way at any moment; it didn’t matter that they used our school as a morgue, or that none of us were really ever the same after that day. None of it meant anything, because people like me and my mom had become the enemy — to them, we’d brought this on ourselves.”
Eli has been ruminating on the events of that day for years, but it was only when he came to Scotland to study for a Masters in Communication Design at The Glasgow School of Art that he found a way of coming to grips with what had happened and his memories of it. Through his Degree Show work, The Things We Saw, he has not only accepted the pain and heartache, but also found a way to confront and share it.
“I hope to place the viewer within a certain time and place, and to evoke some of the emotions that I felt as a seven-year old in Lower Manhattan, or at least a suggestion of those emotions.”
For further information visit: https://gsamediacentre.co.uk/2019/05/news-release-new-york-designers-degree.html
Also showing in Communication Design are Hal Haines and Keri Hannah whose work is featured on the Degree Show 2019 posters.
“Bournemouth Pier is part of a body of work documenting environments which carry meaning for me, whether places I have lived or visited regularly, “ explains Hal. “Through photography and written passages I have made observations, retracing memories, from the street my grandparents lived on to the train I took everyday when I moved to Glasgow using my connection to them as a springboard to record how I see them today. I hope that through this series I am able to evoke a sense of place and a nostalgia or familiarity, even within the viewer who has never or is yet to visit Sussex, Dorset, London, Cumbria or Glasgow.”
Pretty Hurts is a constructed-imagery photo series that follows the character Stacey through her everyday ritualssays, Keri Hannah. It seeks to explore society’s ever increasing obsession with beauty, consumerism and outward appearances. Stacey is a caricature of the several facets concerned with body image expectations, and the stereotypes placed upon women. She is impressionable, pressured and naive. Personal preference and taste may change over time, but the inherent pressure and desire to be aesthetically pleasing remains.”
Image: Emily Breen’s overbed table for use in paediatric wards
Students graduating from The Glasgow School of Art’s acclaimed Product Design Engineering department will show a wide array of innovative designs at Degree Show in Degree Show before taking them on tour to Birmingham, London and Cambridge. This is the latest cohort of students following the programme that has produced leading international designers including Jonathan Biddle– Industrial Design Senior Manager, Amazon; Amy Corbett, Senor Designer – Lego; Etienne Iliffe-Moon– Director of Industrial Design (San Francisco) for BMW; Scott McGuire– RDD Manager, Dyson; and Sam Smith– Design Lead, Apple.
Ranging from a design by Nina Birchardto help with new-born resuscitation and an over bed hospital table designed by Emily Breen specifically for use in paediatric wards to a toy by Fara Stringfellowto encourage children to take breaks during continuous periods of screen time, a new design for public drinking fountains by Anna Robb, Duncan Pattullo’sFibre Optic fabrics for Cycle Clothing and Tom Lever’sseating design for Hyperloop (the visionary city-to-city travel ) the designs offer creative solutions to issues facing both today’s society and tomorrow’s world.
Working with specialists and end-users the designs are created specifically to respond to real-life scenarios. Many PDE graduates have gone on to set up award-winning companies, a number of which were founded on the success of projects that were developed whilst at GSA and showcased in Degree Show.
For further information on designs by Product Design Engineering students visit:
PDE designs in Birmingham (10 June, Autodesk HQ Small Heath Business Park, Talbot Way, B10 0HJ), London (June 11 Our/London Vodka Arch 435 & 436, Spurstowe Rd, Hackney Downs E8 1LS) and Cambridge (June 12 – Trinity Centre 24 Cambridge Science Park, CB4 0FN).
Image: designs by Harriet Jenkins, William Sharp and Ellie Whitworth
Bugs, Cabbages and The Bauhaus are among the many inspirations for this year’s collections by final year Silversmithing and jewellery students. Ellie Whitworth, winner of a Goldsmiths Precious Metalrant, has taken bugs and insects as the inspiration for a collection of jewellery made in gold and silver and base metal. Hundreds of tiny beetles, bugs and moths are combined to create shimmering brooches. South Square Trust Scholarship winner, Harriet Jenkins, has used the £2,500 award to create a collection of pieces inspired by cabbage leaves. A popular form in porcelain – particularly majolica – Jenkins has brought the subject matter into silversmithing creating a range of white candlesticks and bowls by electroforming on to porcelain. Elsewhere in her collection metal bowls are cast from cabbage leaves and cabbage motifs adorn spoon handles. With an interest in the work and teachings of The Bauhaus jewellery designer William Sharphas created a collection the draws together many different disciplines. The modular systems which he has incorporated into the jewellery were developed by applying Dieter Rams’ 10 Principles of Good Design. More commonly applied to Product Design and Sustainability, Will has employed these principles to create pieces using metal and sustainable, biodegradable plastic.
For further information on Silversmithing & Jewellery visit:
Silversmithing & Jewellery will show at New Designers in London from 26 to 29 June.
Innovation School
Images: Erlend Prendergast’s TrialSeekone of the innovations for Precision Medicine in Cancer Care and Tori Hamilton vision for of Tourism in her home town of Oban
Students from the Innovation School unveiled designs for Precision Medicine in cancer care created as part of project working with 20 medical and healthcare professionals. The project was delivered in partnership with the Institute of Cancer Research at the University of Glasgow led byProfessor Nicol Keith.
Looking into the future where Precision Medicine has evolved the students looked at what might happen in a cancer landscape ten years from now. Reflecting on the underlying complexities surrounding the future of health, technological acceleration and human agency, they have envisioned a future context, and produced products, services and experiences for the people who might live and work within it.
Erlend Prendergasthas looked at the challenges in recruiting people for cancer trials. His approach, TrialSeekis a service which gathers and analyses data on an individual’s lifestyle and environment so as to match them with clinical trials. By using this data is would be possible to match the right person with the right trial at the right time. In Capsule Benjamin Alexander Laing addresses the dual challenges of how denial is used as a coping mechanism and cancer patients wishing not to be defined by their condition. Benjamin’s approach disrupts the current medication model though a service that helps patients track their own personal progression and offers them the chance to their lives as they intend to.
Also unveiled were self-generated projects undertaken by the students including Tori Hamilton’s re-imagining tourism for her home town of Oban. Working with the local community Tori has developed a proposal which envisages a more sustainable form of tourism. Erlend Prendergasthas addressed the issue of privacy in a time of increasing use of “help mates” such as Alexa and Siri. His Counterbugis a series of proposed accessories that would confuse the algorithms of virtual assistants and help to disperse some of the fears surrounding domestic spying and digital surveillance. Meanwhile Monika Kantor has developed designs for experimental and sensory products to improve well-being for people with Parkinson’s disease.
The outcomes of the fourth year of an ongoing collaboration with the Royal bank of Scotland looking at the future of banking are also on show at Degree Show. Following co-designing approaches to banking for Generation Y and the future of banking and financial services looking ahead to 2030,this year the subject of the co-design project has been financial health.
Innovation School work will be on show at Candid Arts, London on 21 and 22 June.
Mackintosh School of Architecture
Propositions for Glasgow and New Lanark and city projects on Antwerp have been unveiled in the Mackintosh School of Architecture Degree Show today, 30 May 2019.
Stage 5: 2019 Design Theses focus on Antwerp
Images: from Stage 5 Design Theses by Hannah Dawood and Jodie Wilson
The Diploma School at the Mackintosh School of Architecture has, for many years, been intimately concerned with the reciprocal relationships between architecture and the city in both their generic and specific manifestations.
In previous years of study Glasgow had been explored in some depth by way of the Urban Housing and Urban Building projects. The resulting investigative studies, urban design strategies and comprehensive design projects lay the foundations for the exploration and study of a European city by way of a Design Thesis.
The 2019 Stage 5 students were challenged to consider the major port city of Antwerp in Flanders, Belgium in the context of Myths, Modernity & Metamorphosis. The theme was derived from some initial readings of the city, which identified these three salient aspects of its historical origins, growth and contemporary development.
The students have created exhibitions combining plans, sections models and other materials as the forum for the discussion of their Thesis Design propositions. Following the exhibition in Glasgow the work will be seen in Blueprint for the Future in Clerkenwell, London from 9 – 11 July.
Stage 4 students respond to briefs for housing in Tradeston
and an urban building on the Broomielaw
Images: from Stage 4 projects by Ella Walklate, Joshua Page and Rasita Artemjeva
Over the course of the academic year the Stage 4 students worked on an architectural thesis that was articulated through a speculative design ranging across scales – from the intimacy of a private interior to the design of an urban district in Semester 1 and a highly resolved urban building in Semester 2.
InSemester1 the studentsinvestigated the relationship between domesticity, labour and urban form collectively, conducting research and developing speculative design proposals for housing. The site for the speculation was Tradeston – a historic industrial district of Glasgow adjacent to the river Clyde and the city centre, with potential to be a live/work/creative industries node.
Building on this inSemester2 the students weretasked with developing a comprehensive design proposal for an urban building, with a public programme, that considered contemporary social, political, cultural and economic conditions. The site for the building was one of two areas in the Broomielaw: beside the river and beside Central Station.
Stage 3 students respond to a brief for boat historic boat recovery centre on the Clyde.
Images: Stage 3 designs by Juliet Welshman and Karlis Kukainis
In 2014 Historic Environment Scotland and the Scottish Archaeological Research Framework commissioned a study of the surviving ship- wreck heritage of Clyde-built vessels lost within the Clyde estuary and Firth of Clyde. The study was called CLYDE BUILT and it pulled together information from a wide range of sources. As a result so much more was learned about Clyde-built wrecks and many were located, which were of local, national and international interest, reflecting the Clyde’s unique contribution to world-wide shipbuilding.
Stage 3 Architecture students were tasked with designing a boat recovery centre which would be sited at Bowling which played an important role in the history of the Clyde. The centre would offer state of the art facilities for the recovery and restoration of these important vessels.
Having this recovery centre would mean that once they had been salvaged from their resting places at the bottom of the Clyde the vessels could be carefully transported to the centre where there would be state of the art facilities to restore then. Once restored the notion is that the vessels and their artefacts could become part of the Scottish Maritime museum collection with the potential for loan to affiliated galleries and exhibitions around the world.
Running alongside the Stage 3, 4 and 5 exhibition is a showcase of work by Stage 1 and 2 students including some of the propositions made for the future of New Lanark. Read more:
Over 100 Fine Art students on the Fine Art Photography, Painting & Printmaking and Sculpture and Environmental Art pathways are showing their work in the refurbished Stow Building. This is the first opportunity for the public to see the building.
Images: Tasha Lizak Naikauskas, Philippa Carruthers, Raya Mitchell and Samantha Dock with their exhibitions at Degree Show in the Stow Building
The latest cohort of students on GSA MFA programme which has produced no fewer than five Turner prize winners in recent years are are showing in the Glue Factory once again
Images: works by MFA students Emily Chudnovsky,
Emily Smit-Dicks, Jack McCombe and Mcgilvary/White
